Recession-Inspired Photography

Tomorrow, when the Metropolitan Museum of Art opens Robert Frank's "The Americans," New Yorkers will be able to see these iconic photographs exhibited for the first time ever and at a time that resonates with the past. Frank traveled around the United States with the support of a Guggenheim Foundation grant and presented his book, The Americans in 1959. It coincided with the start of the Cold War and was initially reviled by the press for being "Anti-American." Ten years later, once the world has caught up with Frank's prescient vision, they hailed it as revolutionary. The exhibition also shows Frank's early work, a self-assessment of what he considers his best work called "Black, White and Things," and a short silent film showing Frank assessing his work made especially for this show. Also of immense interest are the six books that represent the tradition that The Americans came out of: The English at Home by Bill Brandt, American Photographs by Walker Evans, Ballet: 104 photos by Alexey Brodovitch, Day of Paris by Andre Kertesz, Fabrik: Ein Bildeposder Technik by Jakob Tuggener, and 50 Photographien by Gotthard Schun. The most endearing element is Mary's Book a book of photographs that he made for his wife prior to their marriage. It is signed "Le Petit Prince" following this note:
Mary,
It is not much, but I promised you a little story. Maybe this is not a story. "Only the essential is invisible to the eyes, one only sees well with the heart."
You remember.
We're lucky to finally be able to view Frank's work outside of the book. Frank, the Met's curators say, resented the success that the book brought him and refused to allow its fame subsume the new work that he had moved on to. But he has blessed this exhibition. Don't miss it.